Makes the case for instrumental music as ecospiritual expression through an hour of wordless celebrations of Earth — from Goa trance and New Orleans electronics to guitar on a sacred Japanese mountain, a sixteen-second Louisiana ambient flash, and a 1972 jazz reading of Marvin Gaye’s ecological elegy. It all stems from an observation two centuries ago that music clothes thought with power language cannot impart.
Laura writes, “In the Northern Hemisphere it is time to celebrate the Spring Cross between the Vernal Equinox and Summer Solstice. In other words we honor Beltane, May Day, the May Queen and the Green Man. Winter has pretty much passed where I live in the Northern Hemisphere and we are experiencing the Greening Time. The fires that burned in the hearths all winter have been extinguished and we light new ones with the embers of Beltane bonfires.”
“One Earth, Many Tongues” recreates the vibrant multilingual atmosphere of the GreenAccord environmental journalism conference through a global musical journey — from Italian marshes and Romanian folk to Cameroonian forest chants and Brazilian poetry. We celebrate the universal language of ecological devotion that transcends borders.
“Grounding for Earth Day” offers an antidote to uncertain times through music that draws us back to Earth’s stabilizing presence, from medicine music and sacred folk to climate activism and cosmic comedy. We invite listeners to reconnect with the ground beneath their feet just as our planet’s annual day of celebration approaches.
“Maybe the Birds Taught Us” soars through a global collection of avian-inspired music, from political elegies and indigenous invocations to natural field recordings and Renaissance madrigals. These songs and sounds reveal how birds have shaped human creativity across languages, cultures, and centuries as both teachers and fellow travelers.
Laura recently visited coastal Maine, and here is a collection in tribute to the ocean and life in and all around Maine and beyond.
“Songs of the Standing People” celebrates trees through diverse musical perspectives. We’ve got choral celebrations, folk narratives, experimental field recordings, and electronic meditations on crown shyness.
Laura celebrates a wide variety of flora and fauna in her own backyard.
“Fresh Devotions” presents a global chorus of new ecospiritual music from early 2026—featuring choral celebrations, elemental invocations, cetacean collaborations, and forest meditations—revealing how contemporary composers across continents are channeling ancient reverence through modern expressions.
All their superpowers have gotten them quite a bit of attention in the science world and popular culture.
