“Maybe the Birds Taught Us” soars through a global collection of avian-inspired music, from political elegies and indigenous invocations to natural field recordings and Renaissance madrigals. These songs and sounds reveal how birds have shaped human creativity across languages, cultures, and centuries as both teachers and fellow travelers.
Laura recently visited coastal Maine, and here is a collection in tribute to the ocean and life in and all around Maine and beyond.
“Songs of the Standing People” celebrates trees through diverse musical perspectives. We’ve got choral celebrations, folk narratives, experimental field recordings, and electronic meditations on crown shyness.
Laura celebrates a wide variety of flora and fauna in her own backyard.
“Fresh Devotions” presents a global chorus of new ecospiritual music from early 2026—featuring choral celebrations, elemental invocations, cetacean collaborations, and forest meditations—revealing how contemporary composers across continents are channeling ancient reverence through modern expressions.
All their superpowers have gotten them quite a bit of attention in the science world and popular culture.
“Planetary Poetry” explores how Earth’s voice emerges through human verse—from ancient Icelandic hymns and Whitman’s celebrations to contemporary ecological poets and indigenous wisdom—revealing how poetic language has long been humanity’s response to planetary consciousness.
“Songs of Venezuela and Greenland” celebrates musical traditions from tropical rhythms and plains songs to Arctic rock and indigenous chants—showcasing the distinctive cultural identities of these geographically distant but spiritually sovereign lands.
“Birdsong & Songs of Birds” soars through a diverse musical aviary—from jazz interpretations and folk tributes to experimental compositions incorporating actual bird calls—celebrating our winged companions as both inspiration and fellow musicians in Earth’s grand symphony.
